George Lucas Presents: The Old In-Out

I'm Pat and I like movies and I like cinematography. Follow this blog if you like movies and you like cinematography as well.

I’m beginning to learn Spanish boys crush alot, and boy do they crush hard.

lilangel01256:

Awkward…

Esta es loco! Yo no mucho Bonita :/
…must be the personality….

Jaja buen español. ¿Eres latino?

(Source: lildevil01256)

— 2 months ago with 1 note

The scene where Joel and Clementine watch the circus go through the streets was made up on the spot, as the film crew and cast happened to be working nearby and Michel Gondry decided it could work well in the film. The part where Clementine disappears suddenly is one of Gondry’s favorite moments of the film, as Jim Carrey didn’t know Kate Winslet was going to disappear and Gondry liked it because Carrey’s face appears so saddened. When the sound blanks out in the final film, Carrey is actually saying “Kate?”

(via beccabae)

— 8 months ago with 31932 notes
lazynotes:

M E E T I N G R O O M[ from here ]

lazynotes:

M E E T I N G R O O M
[ from here ]

— 9 months ago with 1 note

 14/∞ Favorite Films (in no particular order) - No Country for Old Men (2007):

“I think you do. So this is what I’ll offer - you bring me the money and I’ll let her go. Otherwise she’s accountable, same as you. That’s the best deal you’re gonna get. I won’t tell you you can save yourself, because you can’t.” 

(Source: tarkovskymalick, via enchantedbyfilm)

— 9 months ago with 98 notes
lazynotes:

R O O M W I T H A V I E W[ from here ] 

lazynotes:

R O O M W I T H A V I E W
[ from here

— 9 months ago with 6 notes
drdylanologist:

‘Manhattan’ Gordon Willis, ASC

drdylanologist:

‘Manhattan’ Gordon Willis, ASC

— 9 months ago with 4 notes
theshadowofyoursong:

PTA was only 26 when he made this movie, but every composition and every movement of the camera is so assured. It’s evident just through his technique that this kid had chutzpah. I love it.

theshadowofyoursong:

PTA was only 26 when he made this movie, but every composition and every movement of the camera is so assured. It’s evident just through his technique that this kid had chutzpah. I love it.

(Source: tiredandtrueofheart)

— 9 months ago with 22 notes
cinemaforever:

Pierrot le fou (Jean-Luc Godard, 1965)

cinemaforever:

Pierrot le fou (Jean-Luc Godard, 1965)

— 9 months ago with 12 notes

The Films of Quentin Tarantino

(Source: therentonistoodamnhigh, via dong-lovers)

— 9 months ago with 5225 notes